| Jan 27 | Introduction to Course / Syllabus Review |
| Jan 29 | Bendixen, “The Development of the American Novel: The Transformations of Genre” (iLearn) Karafilis, From “The American Novel: Beginnings Through the American Renaissance” (pp 19-28; iLearn) Lindberg, Introduction to The Confidence Man in American Literature (iLearn) Rosenthal and Shafer, Introduction to Fake Identity: The Imposter Narrative in North American Culture (iLearn) |
The Gothic Novel and Anxieties of Deception | |
| 3 Feb | Charles Brockden Brown, Wieland, Ch 1 – 4 Contexts: Dobson’s Encyclopaedia: “Ventriloquism” (pp286 – 290) |
| 5 Feb | Wieland, Ch 5 – 8 |
| 10 Feb | Wieland, Ch 9 – 14 Crow, “Fear, Ambiguity, and Transgression: Gothic Novel in the US” (iLearn) |
| 12 Feb | Wieland, Ch 15 – 21 |
| 17 Feb | Wieland, Ch 22 – end |
| 19 Feb | Critical Contexts: Hesford, “The Question of Authorship in Wieland” (pp 370 – 379) Waterman, “Charles Brockden Brown and the novels of the early republic” (iLearn, esp pp 51-57, 62-63) Samuels, [Patriarchal Violence, Federalist Panic, and Wieland] (pp 393 – 405) |
Layered Masks: Fictions of Race and Gender in the early 20th -century African-American Novel | |
| 24 Feb | Nella Larsen, Passing, Introduction DuBois, Chapter 1 of The Souls of Black Folk (iLearn) Stamper, “A Brief, Convoluted History of the Word ‘Intersectionality’” (iLearn) |
| 26 Feb | Larsen, Passing, Part I |
| 2 Mar | Larsen, Passing, Part II |
| 4 Mar | Larsen, Passing, Part III |
Interlude – Narrating Identity: Forms and Voices | |
| 9 Mar | Tressie McMillan Cottom, “Thick” and “Know Your Whites” from Thick (iLearn) |
| 11 Mar | Film: The Hate U Give (2019) |
Reinventing the Self: Identity and Imposters in the “Great American Novel” | |
| 16 Mar | ** Literary Analysis Paper Due ** F. Scott Fitzgerald, The Great Gatsby NPR Podcast, “A Short History of Americans Reinventing Themselves” (iLearn) |
| 18 Mar | Fitzgerald, The Great Gatsby |
| 23 Mar | Fitzgerald, The Great Gatsby |
| 25 Mar | Fitzgerald, The Great Gatsby Hilgart, “The Great Gatsby’s Aesthetics of Non-Identity” (iLearn) |
| S P R I N G B R E A K ** Over break: Read 1st half of Louisa Hall, Speak (through p. 157) ** | |
The Speculative Novel: AI and the Futures of Identity | |
| 6 Apr | Hall, Speak, through p. 157 |
| 8 Apr | Final Project Introduction |
| 13 Apr | Hall, Speak, through end |
| 15 Apr | Project Proposal Due |
| 20 Apr | Final Project Work |
| 22 Apr | Final Project Work |
| 27 Apr | Final Project Work |
| 29 Apr | Final Project Work |
| 4 May | Final Project Work |
| 6 May | Final Project Work |
| Final Exam Presentations – TBA |