How Do You Know?

At its core, Wieland is an epistemological investigation that examines how we know the world. The novel was written about a century and a half after René Descartes published his major works on philosophy, specifically a branch of philosophy called skepticism.

Retrieved from OnThisDay.com

Descartes understood that the answer to the question “how do we know the world?” is through our senses. We know that fire is hot and honey is sweet because we have experienced them as such, and with enough experiences we construct a view of the world solid enough to help us navigate it. However, our senses can and do deceive us. Optical illusions that distort size and distance or imagining our name being called when no one is calling are a couple examples of how our senses are susceptible to manipulation and error.

Not only that, but Descartes acknowledged that many of the beliefs he once had have turned out to be completely false. Whether it’s the geocentric model or the existence of Santa, beliefs that were once held so strongly that any doubt of them would be absurd can be discredited so powerfully that considering even a hint of truth in them becomes the new absurd. For Descartes, this meant that nothing can be taken for granted. If you were wrong once about something you can very well be wrong about everything and therefore, must be skeptical of everything.

The other central idea to Descartes’ claims is our experience of dreams, which he writes about extensively. His argument regarding dreams can be summarized in the following quote:

There are no conclusive signs by means of which one can distinguish clearly between being awake and being asleep, and that I am quite astonished by it; and my astonishment is such that it is almost capable of persuading me that I am asleep now.

Descartes, Rene. Discourse on Method and the Meditations. 1637

In other words, most of us, Wieland’s Clara included, have had dreams that vividly mimic reality and real moments that feel excerpted from dreams. By questioning the boundaries that demarcate dreams from reality as a whole, we participate in what he calls global doubt, a type of doubt we cannot step out of because it engulfs our very thought processes.

This is where he introduces the idea I believe is most central to Wieland: the Evil Genius. In his skeptical approach to epistemology, Descartes proposed the existence of an evil genius/demon, whose sole intent is to deceive humanity so convincingly his deceptions become indistinguishable from reality. There is nothing you can do to prove you are actually on your computer right now and not being efficiently deceived into thinking you are. For Descartes, the evil demon is not a literal entity, but because the possibility of his existence cannot be disproved, we are naturally deprived from truly knowing anything about the world.

Cartesian themes in Wieland are nearly impossibly to ignore, and it is probable that Brown would have been aware of the discourse at the time of writing this novel. From the shifts in beliefs throughout the novel to recurring dreams that merge with reality and the involvement of an evil genius who masterfully deceives the characters, this novel reads like an exemplary tale of radical skepticism.

Memoirs of Clara Wieland

The following post includes fictional excerpts of Clara’s secret notebook. This is an attempt to understand Clara’s relationship to writing as well as her connection to her intended audience, regardless of the anachronisms and the language used. It is also an attempt to explore her behavior, bravery, rationality and attachment to other characters based on her portrayal in the novel. Similarly to “Wieland”, this piece of Clara’s writing is addressed to some friends, real or imaginary, yet it always remains personal and a secret whose power she reveals only to herself.


                                                                     

                                                                                                           17 August 1761

Daddy’s gone                                                

He’s gone, Millie. I looked everywhere for him. Do you think he found out? I went back to the place where we hid it and dug it out. I placed it back in his secret drawer and told God I was sorry. You should do the same. Do you think he’s mad at us? Daddy said God forgives. We shouldn’t have listened to Theodore. Stealing daddy’s pipe was an evil thing, Millie. Now daddy’s gone and he’ll never come back.

You know what I did yesterday? I went to the temple all by myself. It is not as bad as mommy thinks. She hates that place can you imagine? She wants to have it burned to the ground and doesn’t even let us play near it. If only she knew! I spent a whole night there Millie! I didn’t sleep, of course, just waited. I waited till the sun came out and then hurried back to bed. Today I’m sick and feverish and Nelly feeds me hot soup, uncle Teddy reads me stories, and mommy kisses my forehead ever so often. Only Theodore is annoying as usual, but today they all love me. Oh, no, nothing happened to me at the temple, Millie, I swear! It was so cold I got sick, that’s all. As soon as I’m better we’ll go again.

Uncle Teddy said daddy is a bright star in the sky right now, watching over us. Promise me you’ll come, Millie. We have to make sure daddy doesn’t hate us. Now that he’s so powerful he might even make us real sisters.

                                                                                                         Yours always,

                                                                                                               Clara  


                                                                                  Thursday, November 16th, 1775   

Theodore and Catharine have officially announced their engagement. Naturally, I congratulated them and wished them eternal happiness. Wieland is my dearest brother, the family I have left, and Catharine will become by law, my sister. Then why do I feel so melancholic? So unhappy? In my dreams, I see a desolate and deserted Mettingen and my house burnt to ashes. I dare not confide them to Pleyel, for he will surely disregard and belittle my fears. How I dread the day of their upcoming wedding! I do love them both and I believe in their happiness with every fiber of my being. But they shall never part Mettingen. They must never leave me alone.

Last night I dreamt I was running towards my brother’s house, seeking refuge from some impending evil, only to find that he wasn’t there. My knocks on the door persisted but yielded no answer. The building stood in my way, imposing and most gruesome. I woke up, and despite not clearly comprehending the meaning of this vision, I resolved to convince Catharine and Wieland to build their household near my premises. To my relief and sincere excitement, they held no objections. Pleyel joked about my behavior and admitted I was in need of a guardian, so he promised to make frequent visits. I told them about my resolution to rebuild the temple and make it our place of discourse. The temple was the only thing standing in my dreams.

I can close my eyes now and imagine the four of us, spending time together, merrily conversing about a topic or another. Yet again this wave of uncertainty within me overflows. I must be ashamed of dreading the happiest day of their lives. I ought to put my faculties of reason to use and defeat such thoughts. I must not let the fear of being left all alone, in a big empty house to die, overcome me. My dear brother Theodore and my sweet, gentle Catharine are getting married. I should rejoice. God is yoking them together and they vowed to be my family. My peace of mind may resume. Such foolish notions! Our friendship is tightly bound and time will only make it stronger. Nothing shall ever break us apart.

                                                                                                                     C.W.                                                


The Phenomena of Family-Killing Fatherhood

Charles Brockden Brown’s Wieland; or, The Transformation: An American Tale (1798) was exclusively based on a real notoriously, gruesome crime- the reported 1971 Upstate New York farmer James Yates’s atrocious murders of his entire family. Brown stumbled upon these astoundingly cruel proceedings of Yate’s crime through an anonymously authored article in New-York Weekly Magazine; or Miscellaneous Repository, published on July 20 and 27, 1796, fifteen years after the actual murder case. He used the extracted facts of the murders from the reported article and incorporated them into his own fictional murder plot that entails a story of a man undergoing a “transformation” from a benign father to a lunatic murderer. 

“An Account of a Murder Committed by Mr. J—- Y—-, upon His Family, in December, A.D. 1781.” In New-York Weekly Magazine. (New-York, July 20, 1796).

James yates was universally admired and known by his neighbors as a kind, family-oriented, sober, and diligent man. One December evening of the year 1781, they spent the day at home with neighbors doing some religious activities including Bible reading and psalms singing, for it was a Sunday and there wasn’t a church nearby they could attend. In the evening, he sat next to the fireplace reading the bible with his wife residing on his lap, when he suddenly began seeing and hearing two strange mysterious spirits conspiring, one of them turned to him and instructed him to “destroy all his [his] idols and begin by casting the bible into the fire.” Although he was a family-loving father who has devoted his life for the happiness and wellbeing of both his children and his wife, he immediately stood up and carried out the order. He ended up brutally murdering his wife and four children, one of whom was a six-month-old baby by the use of an axe or a hatchet and violently throwing them against the wall. He likewise killed all the living creatures he owned, his dog, his cow, and his two horses. Yates was discovered amidst this crazy massacre and was taken to prison. He never attempted to escape the scene. However, he also never repented for all he has done. He was found to be a member of the religious community, the Society of Shakers.“My father, thou knowest that it was in obedience to thy commands,” he addressed to his God, “and for thy glory that I have done this deed” (Yates 269). 

Life of the Diligent Shaker,
Shaker Historical Society

The Yates murder case happened at a time where the family was an extremely significant institution in American society. For American society was “organized in families or in units that resembled the structure of a family”(Ibid., 44). This emphasis on family sustained the American belief that considers the family to be the microcosm of society. Placing much great emphasis on the importance of family pushed Brown to use his fictional Wieland family tragedy to warn the people of the republic’s moral crisis, for family-killing fatherhood was perceived as the prominent symbol of the whole era’s pathology. In fact, the Yates familicide was the first of a series of consequent family killings that occurred over the course of an era in the early American republic. This sudden concentration of familicides informed something crucial about the psychological and social change in the republic. Brown attributed the cause to the sudden significant spiritual instability caused by extreme social change. He warns of the great difficulties that arise from creating a spiritually committed society in the rational state of the republic through the example of James yates and later on the case of Wieland. For both Yates and Weiland were torn between following their supernatural god and the rational worldly pursuit of happiness. They also lived at a time where it was difficult to have a proper confrontation with god in the domestic sphere. Why James yates and Weiland felt the need to murder their entire family is a question that can’t be easily answered, is it madness or is it actually a supernatural calling from God? 

Yet Brown showed through Weiland that:

Reason is, and ought only to be the slave of the passions, and can never pretend to any other office than to serve and obey them. 

(Hume 1740)

What is Psychopathy?

Cartoon of Psycopaths

What is Psychopathy?

Psychopathy involves affective personality styles (Jurjako par. 1). It typically is seen as a mental disorder. People suffering from it -psychopaths- then to pose a multitude of societal conflicts (4). Psychopaths are more likely than any other group of people to be violent and commit crimes, moreover, they tend to have no empathy for others, and do not feel remorseful for the things that they have done (Jurjako par. 1; Pemment par. 10). According to Pemment Psychopaths tend to have a well-developed conscience and a sense of morality, though, what they consider as right or wrong is unlike the parent or host culture (par. 10). Over the years as research about psychopathy developed, a list of common psychopathic tendencies was created.

The Hare Psychopathy Checklist (HPC) was created to identify psychopathy, it is a 20-item rating scale of psychopathic (antisocial) personality disorder, since it was published over 35 years ago, it has been widely used in research and clinical settings. The HPC is commonly used to assess the risk of violent behavior(Pemment par. 1). Some of the traits that it consists of are: “criminal versatility, superficial charm, failure to accept responsibility for own action, grandiose sense of self-worth, pathological lying and deception, conning or manipulative, and lack of remorse or guilt” (Berninger par.6). Carwin’s lack of remorse for harming others is a quality shared with many other psychopaths.


In literature like many other fields of research psychopathy is categorised as a mental illness and disorder. However, some researchers like Jurjako disagree with this classification. He argues that this distinction between mental illness is crucial as some judiciary systems may use it to determine social policy (par.2). In some instances as Jurjako highlights, psychopathy may be treated as an aggravating character. According to Aspinwall et al. there is a tendency to severely punish psychopathic criminals in contrast to non-psychopaths (par. 2).

Though, that is not always the case, as some jurisdictions may view the accused as being a victim of psychopathy, so instead of throwing them in jail, these criminals are sent to mental institutions. Arguably, going to a mental institution may be worse for the criminal’s mental health. This distinction is significant psychopathy is an aspect considered when jurisdictions want to know who to hold accountable for their crimes (par.2). This can be seen in Wieland as the court imprisons Wieland for killing his family, but does not attempt to arrest Carwin, though they knew that he was somehow connected to all the killings


For more information watch this video Sociopath vs Psycopath


What characteristics does Carwin in Wieland exhibit?

  • Carwin repeatedly states that he realized the dangers of his powers, but at every inconvenience, he used them (149). This reveals that not only is he careless, but he only behaves in ways that benefit himself.
  • Carwin uses his skill in ventriloquism to manipualte Wieland into killing his family. He seems to do so just because he can, thus feeding into his grandiose sense of self.
  • He acts without thinking of the consequences. This can be seen when Carwin confesses to Clara about what he did to Pleyel and admits to enjoying it (155-158).

Reflection Questions

  • By connecting some of Carwin’s behavior to that of a sociopath , does that change your opinion of him?
  • What other similarities do you see between Carwin and sociopaths?
  • In this case who do you think is to blame, Carwin or Wieland?

Other forms of transformation in Weiland

As the title on the novel entails , transformation and constant change are big themes that appear in the novel. This transformation is evident in one of the main characters, Theodore. Theodore transitions from the picture-perfect father figure to a religious lunatic that kills his wife and children, and even later on attempts to murder his own sister Clara.

This novel can be considered as an early American novel. So what does this the novel say about the newly founded American society ? If we read the novel as an allegory of the changes the American society was going through at the time, we can deduce two other forms of change that played a role in shaping modern-day America 

Firstly, change in society and family dynamics

The original Puritan settlers called the family a “little commonwealth.” This title insinuates that families were simply collections and clusters of households living side by side, isolated from one another. However, this changes in the developing American society, households became more connected and are able to form a community that is somewhat codependent. This can be observed in the Wieland family’s initial acceptance of Carwin into the family and treating him as one of their own , even though Carwin is not related to them by blood. Clara describes this as the development of this relationship as his  “visits were frequently repeated. Each day introduced us to a more intimate acquaintance with his sentiments”  (Brown 57).

In addition, there is apparent power shift within the typical structure of the American Family, this change was fundamentally in the concept of the patriarch. In the novel, there is no mention of an ‘absolute patriarch’ in each household. For instance, Clara lives alone with her maidservant, Judith.Even if there was a presence of a patriarch, these patriarchs differed from the typical patriarchal figure of earlier times.For example, Theodore does not incarnate a rigid patriarchal authority, he in contrast quite affectionate and he is “tenderness” (Brown 23) itself to his children. 

Secondly, Transition in how religion is viewed 

To understand the relationship between religion and society in the novel, we must to go back to the origin of the Wieland “Puritanical” family. Theodore and Clara’s father was a descendent of a noble family in Saxony and was devoted to the Camissards (an apocalyptic protestant sect). In fact one of his main goals when moving to the new world was to convert native Americans into his faith. 

On the other hand, Theodore and Clara have created a family characterized by rationalistic attitudes toward life, particularly in matters regarding religion. Clara acknowledges this rationalistic somewhat secular view on life when she says “Our education had been modelled by no religious standard” (Brown 20). However, she doesn’t dismiss the influence and presence of religion in their lives but in a sense limits it to its spiritual significance rather than using it to guide their mundane lives. 

Change in Readings

Please note a change to the reading schedule for Wednesday, 19 February. Instead of the Waterman reading, we will be reading excerpts from critic Shirley Samuels – in the Norton edition.

Samuels, [Patriarchal Violence, Federalist Panic, and Wieland] (pp 393 – 405)

A Misconception of the Persona

This blog post is in Catharine Pleyel’s point of view, and whether she really is the ‘perfect’ wife and woman set out by the events from Clara’s point of view. I think, 14 chapters into the novel, Catharine is pushed aside and considered to be the perfect example of lovely, kind and submissive as women were back in the 1700-1800’s as opposed to her own person.
Maybe more on her character will be revealed as the book goes on.

One of the many letters she may have written for her own peace of mind

*Disclaimer; an added plot that’s not in the novel.


I am always set aside because I am meek. They believe I don’t have the capacity to take in the problems that are happening right now. I am made up of their perceptions and I hate it. Clara puts me on the pedestal for the face of a perfect wife. I am far from perfect; the death, the abortion, and the betrayal.

I remember when Henry’s lover died. I was devastated that Henry did not tell me and I had to find out through sneaking around. I followed them for a bit on their walk – hiding in and around bushes as one does – and just felt upset that my own brother and husband can not tell me the truth.
Is it because I am a woman? But why does Clara not get the same treatment? Why am I constantly pushed aside?

I get I may have acted a bit too harshly when Eugenie died only 14 weeks in my womb. I lost my baby, is there any other way to act? I did not tell Theodore, Clara or Henry. I did not believe they could handle it. Everything they told me then was heightened in my emotions, but an explanation was not something I could give to them. They pushed me aside even further in the events that took place in their lives because I could not “handle” it.

Henry may have had more reason to keep things from me, we have not had the best sibling relationship, but it should not take away from the things he keeps from me. Before Clara, before Theodore, I had no one. I was alone with Sallie. Sallie was my friend when I was young. She gave me advice, she showed me right from wrong, and her voice stayed passed the days I lost her, or rather she disappeared leaving me alone to fend for myself. Her voice did echo, in and out through the years, but for the most part she was gone.
I got lucky when I found the Wieland siblings, they accepted me, considered me more normal than normal, let me become one of them in matrimony and in blood.

Sallie and Catharine

Catharine’s fragile. She’ll get upset. She’s delicate. She’s ill. They always said this.

They don’t realize I am actually hurt, I feel undermined, I feel like my purpose as a woman, a wife and a friend is overlooked due to preconceived notions.

But I do not know what else is for me to do.
I guess that is it for me now, the whispers may not have stopped just yet, but I will resign for now.

Sallie Pleyel

Was it Human Combustion? Perspectives on Wieland


An event that could be considered as a central and driving force to the unravelling of peculiar events in Brown’s Wieland, is the father’s spontaneous combustion followed by his unfortunate death. A while back, i had come across an article about a case of a Spontaneous Human Combustion (SHC) that shares some similarities with the event narrated in Wieland.

Mary Reeser: Wikimedia

In 1951, 67 year old Mary Reeser was found combusted in her apartment under unknown circumstances. Both spontaneous combustions report the appearance of a blaze or a light from an unknown source, in Wieland’s narration, this light is described as “a light proceeding from the edifice, [that] made every part of the scene visible. A gleam [that] diffused itself over the intermediate space (29). This describes the scene that Wieland’s mother had witnessed as she was anticipating her husband’s delayed return from the temple. To add on, Goldfarb’s article on “The Curious Case Of Mary Reeser And Spontaneous Human Combustion” explains: “Reports said that [Mary Reeser’s] body was disintegrated by a blaze of “white-hot intensity” (2018). The surroundings in which the blazes or explosions occur remain undamaged in both recorded cases. According to Wieland’s uncle’s account of the incident: “No part of the building was on fire” (31). It was only a concentrated area in which the combustion had occurred. Similarly, Reeser’s surroundings were undamaged. According to Goldfarb, “the rest of the room was seemingly unaffected by the flames that engulfed Mary Reeser” (2018). 

Wieland 1805: Amazon

In Wieland’s case, the father does not die at the scene, but suffers substantial injuries due to the combustion: “[H]is skin throughout the greater part of his body was scorched and bruised. His right arm exhibited marks as of having been struck by some heavy body” (25), and he later dies as a result of the inflicted injuries. That could mean that the impact of the combustion in Wieland was not as powerful (that it could eradicate a human body) as reported in Reeser’s case: “Not much of Reeser remained. There was one slippered foot, which curiously showed no signs of charring, as well as a part of her spine. A piece of her skull remained and was described as shrunken” (Goldfarb). The Reeser case does propose scientific explanations to this phenomena, and to my surprise, “there have been accounts of alleged human combustion since 1663” (Goldfarb 2018). This perhaps explains the relevance of a human combustion case in a 16th century novel.

This event back then could have lacked familiarity, or had been exposed to limited perspectives. Such perspectives were usually associated with the supernatural world or the works of a deity. Fact or fiction, the similarities between both cases and the mysterious circumstances that they both occur under are astonishing. Such events are not constricted with one explanation, but are rather fairly open to numerous perspectives that can be religious, scientific or fiction. similarities between both cases and the mysterious circumstances that they both occur under are astonishing. Such events are not constricted with one explanation, but are rather fairly open to numerous perspectives.